NON-AFRICAN PROSE
WILLIAM GOLDING: Lord of the Flies
How does Ralph’s exercise of authority differ from Jack’s?
NON-AFRICAN PROSE
WILLIAM GOLDING: Lord of the Flies
Give an account of the novel as a story of adventure.
NON-AFRICAN PROSE
ERNEST HEMINGWAY: The Old Man and The Sea
Discuss the theme of perseverance in the novel
NON-AFRICAN PROSE
ERNEST HEMINGWAY: The Old Man and The Sea
Examine the character of Manolin.
AFRICAN PROSE
ASARE KONADU: A Woman In Her Prime
How would you describe the relationship between Kwadwo and Pokuwaa?
AFRICAN PROSE
ASARE KONADU: A Woman In Her Prime
Narrate Pokuwaa’s experience with her first two husbands.
AFRICAN PROSE
ADICHIE CHIMAMANDA NGOZI: Purple Hibiscus
Comment on the character of Jaja.
AFRICAN PROSE
ADICHIE CHIMAMANDA NGOZI: Purple Hibiscus
Assess Eugene’s relationship with his immediate family.
NON-AFRICAN POETRY
Comment on the poet’s message to ‘the court’, ‘Church’, and Potentates in ‘the soul’s Errand”.
AFRICAN POETRY
How do the ‘Patriots and the ‘elite’ contribute to poverty in “Ambassadors of Poverty”?
NON-AFRICAN DRAMA
OSCAR WILDE: The Importance of Being Earnest
How important is Miss Prism in the play?
NON-AFRICAN DRAMA
OSCAR WILDE: The Importance of Being Earnest
Analyse the deceptive nature of Algernon.
NON-AFRICAN DRAMA
BERNARD SHAW: Arms and the Man
Comment on the relationship between the Petkoffs and their servants.
NON-AFRICAN DRAMA
BERNARD SHAW: Arms and the Man
Assess the character of Raina Petkoff
AFRICAN DRAMA
FEMI OSOFISAN: Women of Owu
Discuss the plight of women in the play.
AFRICAN DRAMA
FEMI OSOFISAN: Women of Owu
Justify the assertion that the people of Owu are the architects of their own destruction.
AFRICAN DRAMA
KOBINA SEKYI: The Blinkards.
To what extent is Mrs. Borofosem a blind imitator of the English ways of life?
AFRICAN DRAMA
KOBINA SEKYI: The Blinkards.
Analyse the character of Mr. Onyimdze
Read the extract and answer the question
…The Duke of Milan
And his more braver daughter could control thee,
If now’t were fit to do’t. At the first sight
They have changed eyes. Delicate Ariet,
I”ll set thee free for this!
(Act 1, scene two, lines 441-445)
The character addressed
- A. Prosepero
- B. Miranda
- C. Sebastian
- D. himself
