NON — AFRICAN PROSE
ERNEST HEMINGWAY: The Old Man and The Sea
Discuss Santiago’s struggle with the Marlin.
NON — AFRICAN PROSE
ERNEST HEMINGWAY: The Old Man and The Sea
Examine the use of flashback and monologue in the novel.
NON — AFRICAN PROSE
WILLIAM GOLDING: Lord Of The Flies
Discuss fear as a dominant theme in the novel.
NON — AFRICAN PROSE
WILLIAM GOLDING: Lord Of The Flies
Comment on Jack’s leadership style
AFRICAN PROSE
ADICHIE CHIMAMANDA NGOZI: Purple Hibiscus
Examine the role of Papa-Nnukwu in the novel.
AFRICAN PROSE
ADICHIE CHIMAMANDA NGOZI: Purple Hibiscus
Compare Aunt Ifeoma and her brother’s relationship with their children.
AFRICAN PROSE
ASARE KONADU: A Woman In Her Prime
Comment on the significance of the search for Yaw Boakye
AFRICAN PROSE
ASARE KONADU: A Woman In Her Prime
How does Pokuwaa cope with tradition in the novel?
NON-AFRICAN POETRY
Discuss the theme of fate in “Upon An Honest Man ‘s Fortune.”
AFRICAN POETRY
Comment on “Boy on a swing” as a search for self identity.
NON-AFRICAN DRAMA
OSCAR WILDE: The Importance of Being Earnest
Comment on the role of Gwendolen Fairfax.
NON-AFRICAN DRAMA
OSCAR WILDE: The Importance of Being Earnest
Examine the satire in the play
NON-AFRICAN DRAMA
BERNARD SHAW: Arms and the Man
How is Catherine revealed as an accomplished liar in the garden scene?
NON-AFRICAN DRAMA
BERNARD SHAW: Arms and the Man
Examine the differences between Louka and Raina.
AFRICAN DRAMA
FEMI OSOFISAN: Women of Owu
Comment on the agreement between Anlugbua and Lawumi to punish the allied forces
AFRICAN DRAMA
FEMI OSOFISAN: Women of Owu
Discuss Gesinde’s contribution to the development of the plot.
AFRICAN DRAMA
KOBINA SEKYI: The Blinkards.
Comment on the comportment of the cosmopolitan club members
AFRICAN DRAMA
KOBINA SEKYI: The Blinkards.
Consider Barrister Onyimdze as a defender of African culture.
Read the extract and answer the question
X : Come on then; down, and swear.
Y : I shall laugh myself to death at this puppy-headed monster
A most scurvy monster! I could find in my heart to beat him
X: Come, kiss.
(Act 11 scene two lines 139-143)
The setting is
- A. in front of Prospero's cell
- B. on a ship
- C. on the seashore
- D. another part of the island
