NON-AFRICAN POETRY
Examine the theme of beauty in the poem “Shall I compare Thee to a Summer’s Day?”.
NON-AFRICAN POETRY
Comment on the poet’s attitude to nature in Frost’s “Birches
AFRICAN POETRY
Examine the persona’s view of ageing in “The Piano of Growing Older”
AFRICAN POETRY
Discuss the clash of cultures in Okara’s “Piano and Drum”.
NON AFRICAN DRAMA
OLIVER GOLDSMITH: She Stoops to Conquer
Assess the character of Mrs. Hardcastle in the play.
NON AFRICAN DRAMA
OLIVER GOLDSMITH: She Stoops to Conquer
Examine the use of dramatic irony in the play.
NON AFRICAN DRAMA
Lorraine Hansberry: A Raisin in the Sun
Consider the importance of of the check in the play.
NON AFRICAN DRAMA
Lorraine Hansberry: A Raisin in the Sun
What impression do you form of Mama’s character in the play?
AFRICAN DRAMA
Frank Ogodo Ogeche: Harvest of Corruption
Discuss the role of Chief Maladu Ade -Amaka in the play.
AFRICAN DRAMA
Frank Ogodo Ogeche: Harvest of Corruption
Comment on Aloho as a victim of circumstance in the play.
AFRICAN DRAMA
Dele Charley: The Blood of a Stranger
Examine the role of Kindo as a warlord in the play.
AFRICAN DRAMA
Dele Charley: The Blood of a Stranger
Consider the view that the play exposes the colonialist exploitation of Africa.
NON-AFRICAN PROSE
RICHARD WRIGHT: Native Son
What is Max’s attitude towards racial relations in the novel?
NON-AFRICAN PROSE
RICHARD WRIGHT: Native Son
Consider the view that it is the society that makes Bigger a murderer in the novel.
African Prose
BAY° ADEMOWALE: Lonely Days
Comment on the writer’s narrative style in the Novel.
African Prose
BAY ADEMOWALE: Lonely Days
Discuss the theme of loneliness in the novel.
African Prose
AMMA DARKO: Faceless
Examine the significance of Vickoe and Kabria’s visit to the police station.
African Prose
AMMA DARKO: Faceless
Discuss the relationship between Nii Kpakpo and Maa Tsuru in the novel.
Read the extract and answer the question
I am glad I have found this napkin;
This was her first remembrance from the Moor.
My wayward husband hath a hundred times
Wooed me to steal it; but she so loves the token
(For he conjured her she should ever keep it)
That she reserves it evermore about her
To kiss and talk to.
(Act III, Scene Three, Lines 289 – 95)
In the extract ”this napkin” is ”the token” of love between
- A. lago and Emilia
- B. Cassio and Desdemona
- C. Bianca and Cassio
- D. Desdemona and Othello
Read the extract and answer the question
I am glad I have found this napkin;
This was her first remembrance from the Moor.
My wayward husband hath a hundred times
Wooed me to steal it; but she so loves the token
(For he conjured her she should ever keep it)
That she reserves it evermore about her
To kiss and talk to.
(Act III, Scene Three, Lines 289 – 95)
‘My wayward husband’ refers to
- A. Othello
- B. lago
- C. Cassio
- D. Roderigo
Read the extract and answer the question
I am glad I have found this napkin;
This was her first remembrance from the Moor.
My wayward husband hath a hundred times
Wooed me to steal it; but she so loves the token
(For he conjured her she should ever keep it)
That she reserves it evermore about her
To kiss and talk to.
(Act III, Scene Three, Lines 289 – 95)
‘She’ in the extract refers to
- A. Bianca
- B. Desdemona
- C. Emilia
- D. Musician