SECTION D (NON-AFRICAN POETRY) Consider the use of alliteration, assonance and repetition in the poem ‘Binsey Poplars’
SECTION C (AFRICAN POETRY)
Show how Africa suffered and survives still in Agostinho Neto’s The Grieved Lands’
SECTION B (NON-AFRICAN DRAMA) AUGUST, WILSON: Fences
Comment on the appropriateness of the title, Fences.
SECTIONB (NON-AFRICAN DRAMA) AUGUST, WILSON: Fences
Consider Raynell’s contribution to the pilot.
SECTION A (AFRICAN DRAMA) WOLE SOYINKA: The Lion and The Jewel 1.
Examine the theme of love and marriage in the play.
SECTIONA (AFRICAN DRAMA) WOLE SOYINKA: The Lion and The Jewel
Why does Lakunle lose Sidi to Baroka?
EMILY BRONTE: Wuthering Heights
Examine the relationship between Lockwood and Heathcliff in the novel
EMILY BRONTE: Wuthering Heights
Comment on the importance of setting in the novel
RALPH ELLISON: Invisible Man
Examine the narrator’s experiences at the eviction.
RALPH ELLISON: Invisible Man
Comment on the character and role of Mary in the novel
ALEX AGYEI-AGYIRI: Unexpected Joy at Dawn
consider Mama Orojo’s relationship with her church members in Amen Kristi.
ALEX AGYEI-AGYIRI: Unexpected Joy at Dawn
consider Mama Orojo’s relationship with her church members in Amen Kristi.
ALEX AGYEI-AGYIRI: Unexpected Joy at Dawn
Discuss Ni’s encounter with -Put-t -to-me in the novel
BUCHI EMECHETA: Second Class Citizen
Consider Adah’s growth in confidence and determination in pursuit of her dreams
BUCHI EMECHETA: Second Class Citizen
How are women treated in the novel?
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speech is A. romanticB. satiric c. comicD. tragic
- A. romantic
- B. satiric
- C. comic
- D. tragic
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The occasion is
- A. the celebration of the royal marriage
- B. the king's decision to banish Hermia
- C. Oberon's threat to punish Titania
- D. Titania falling in love with Bottom
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speaker is involved in putting on
- A. a scene
- B. skit
- C. an act
- D. a play
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speech is part of the
- A. prologue
- B. epilogue
- C. exposition
- D. lyric
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speaker is
- A. Flute
- B. Quince
- C. Bottom
- D. Philostrate
Read the extract below and answer questions 41 to 45
X: I pray thee, gentle mortal, sing again;
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue’s force perforce doth move me
On the first view, to say, to swear, I love thee.
Y: Methinks, mistress, you should have little reason for that: …
(Act llI, Scene One, Lines 116-121)
Speaker X’s speech can be described as a
- A. satire
- B. conceit
- C. paradox
- D. parody