Home ยป Past Questions ยป Literature-in-english ยป Waec ยป Page 11
211

Read the extract below and answer questions 41 to 45

X:  I pray thee, gentle mortal, sing again;

     Mine ear is much enamoured of thy note;

    So is mine eye enthralled to thy shape;

    And thy fair virtue’s force perforce doth move me

   On the first view, to say, to swear, I love thee.

 

Y:  Methinks, mistress, you should have little reason for that: …

(Act llI, Scene One, Lines 116-121)

From the novel; A Midsummer Night's Dream

Speaker Y is

  • A. Quince
  • B. Lysander
  • C. Demetrius
  • D. Bottom
View Answer & Discuss WAEC 2021
212

Read the extract below and answer questions 41 to 45

X:  I pray thee, gentle mortal, sing again;

     Mine ear is much enamoured of thy note;

    So is mine eye enthralled to thy shape;

    And thy fair virtue’s force perforce doth move me

   On the first view, to say, to swear, I love thee.

 

Y:  Methinks, mistress, you should have little reason for that: …

(Act llI, Scene One, Lines 116-121)

From the novel; A Midsummer Night's Dream

Speaker X has just

  • A. escaped from the city
  • B. fallen into a world of dreams
  • C. woken up from an induced sleep
  • D. abandoned a loved one
View Answer & Discuss WAEC 2021
213

Read the extract below and answer questions 41 to 45

X:  I pray thee, gentle mortal, sing again;

     Mine ear is much enamoured of thy note;

    So is mine eye enthralled to thy shape;

    And thy fair virtue’s force perforce doth move me

   On the first view, to say, to swear, I love thee.

 

Y:  Methinks, mistress, you should have little reason for that: …

(Act llI, Scene One, Lines 116-121)

From the novel; A Midsummer Night's Dream

Speaker X is

  • A. Titania
  • B. Hippolyta
  • C. snout
  • D. Oberon
View Answer & Discuss WAEC 2021
214

Read the extract below and answer questions 36 to 40

But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.

(Act I, Scene two Lines 79-84)

From the novel; A Midsummer Night's Dream

The main actors will be 

  • A. Snug and Snout
  • B. Philostrate and Starveling
  • C. Mustardseed
  • D. Quince and Bottom
View Answer & Discuss WAEC 2021
215

Read the extract below and answer questions 36 to 40

But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.

(Act I, Scene two Lines 79-84)

The rehearsal is in preparation for

  • A. Egeus' acceptance of Lysander
  • B. the dance of the faries
  • C. Theseus' wedding
  • D. Titania waking up from a dream
View Answer & Discuss WAEC 2021
216

Read the extract below and answer questions 36 to 40

But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.

(Act I, Scene two Lines 79-84)

From the novel; A Midsummer Night's Dream

They intend to rehearse the play

  • A. a Midsummer Night's Dream
  • B. Pyramus and Thisby
  • C. The tradegy of lovers
  • D. The Battle of Royal
View Answer & Discuss WAEC 2021
217

Read the extract below and answer questions 36 to 40

But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.

(Act I, Scene two Lines 79-84)

From the novel; A Midsummer Night's Dream

The speaker is addressing

  • A. artists
  • B. painters
  • C. actors
  • D. writers
View Answer & Discuss WAEC 2021
218

Read the extract below and answer questions 36 to 40

But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.

(Act I, Scene two Lines 79-84)

From the novel; A Midsummer Night's Dream

The speaker is A. Bottom B. PeaseblossomC.

  • A. Bottom
  • B. Peaseblossom
  • C. Quince
  • D. Puck
View Answer & Discuss WAEC 2021
219

A Midsummer Night’s Read the extract below and answer questions 31 to 35. 

X: You do impeach your modesty too much,

    To leave the city and commit yourself

     Into the hands of one that loves you not;

     To trust the opportunity of night

     And the ill counsel of a desert place

 

Y:   With the rich worth of your virginity.

     Your virtue is my privilege: for that

     it is not night when I do see your face,

     Therefore I think I am not in the night;

From the novel; A Midsummer Night's Dream

Night evolves in the speakers’ 

  • A. huge responsibilities
  • B. contracting feelings
  • C. despairing thoughts
  • D. erotic feelings
View Answer & Discuss WAEC 2021
220

A Midsummer Night’s Read the extract below and answer questions 31 to 35. 

X: You do impeach your modesty too much,

    To leave the city and commit yourself

     Into the hands of one that loves you not;

     To trust the opportunity of night

     And the ill counsel of a desert place

 

Y:   With the rich worth of your virginity.

     Your virtue is my privilege: for that

     it is not night when I do see your face,

     Therefore I think I am not in the night;

From the novel; A Midsummer Night's Dream

Both speakers are in the woods

  • A. to hide from each other
  • B. to spy on each other
  • C. for different reasons
  • D. for the same reason
View Answer & Discuss WAEC 2021
221

A Midsummer Night’s Read the extract below and answer questions 31 to 35. 

X: You do impeach your modesty too much,

    To leave the city and commit yourself

     Into the hands of one that loves you not;

     To trust the opportunity of night

     And the ill counsel of a desert place

 

Y:   With the rich worth of your virginity.

     Your virtue is my privilege: for that

     it is not night when I do see your face,

     Therefore I think I am not in the night;

From the novel; A Midsummer Night's Dream

Speaker X sees Speaker Y

  • A. as a pretender
  • B. as a past lover
  • C. for the first time
  • D. for the last time
View Answer & Discuss WAEC 2021
222

A Midsummer Night’s Read the extract below and answer questions 31 to 35. 

X: You do impeach your modesty too much,

    To leave the city and commit yourself

     Into the hands of one that loves you not;

     To trust the opportunity of night

     And the ill counsel of a desert place

 

Y:   With the rich worth of your virginity.

     Your virtue is my privilege: for that

     it is not night when I do see your face,

     Therefore I think I am not in the night;

From the novel; A Midsummer Night's Dream

Speaker Y is

  • A. Titania
  • B. Pease blossom
  • C. Hippolyta
  • D. Helena
View Answer & Discuss WAEC 2021
223

A Midsummer Night’s Read the extract below and answer questions 31 to 35. 

X: You do impeach your modesty too much,

    To leave the city and commit yourself

     Into the hands of one that loves you not;

     To trust the opportunity of night

     And the ill counsel of a desert place

 

Y:   With the rich worth of your virginity.

     Your virtue is my privilege: for that

     it is not night when I do see your face,

     Therefore I think I am not in the night;

From the novel; A Midsummer Night's Dream

Speaker X is

  • A. Hermia
  • B. Philostrate
  • C. Demetrius
  • D. Lysander
View Answer & Discuss WAEC 2021
224

Read the poem below and answer questions 26 to 30.

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,

This debt we pay to human guile;

With torn and bleeding hearts we smile

And mouths with myriad subtleties,

 

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask.

 

We smile but O great god, our cries

To thee from tortured souls arise

We sing, but oh the clay is vile

Beneath our feet and long the mile,

But let the world dream otherwise,

We wear the mask!

We wear the mask that grins and lies illustrate

  • A. irony
  • B. personification
  • C. synecdoche
  • D. alliteration
View Answer & Discuss WAEC 2021
225

Read the poem below and answer questions 26 to 30.

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,

This debt we pay to human guile;

With torn and bleeding hearts we smile

And mouths with myriad subtleties,

 

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask.

 

We smile but O great god, our cries

To thee from tortured souls arise

We sing, but oh the clay is vile

Beneath our feet and long the mile,

But let the world dream otherwise,

We wear the mask!

The dominant mood is one of

  • A. sadness
  • B. fear
  • C. joy
  • D. optimism
View Answer & Discuss WAEC 2021
226

Read the poem below and answer questions 26 to 30.

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,

This debt we pay to human guile;

With torn and bleeding hearts we smile

And mouths with myriad subtleties,

 

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask.

 

We smile but O great god, our cries

To thee from tortured souls arise

We sing, but oh the clay is vile

Beneath our feet and long the mile,

But let the world dream otherwise,

We wear the mask!

The rhyme scheme of the first stanza is

  • A. aabcc
  • B. ababac
  • C. aabbc
  • D. abbac
View Answer & Discuss WAEC 2021
227

Read the poem below and answer questions 26 to 30.

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,

This debt we pay to human guile;

With torn and bleeding hearts we smile

And mouths with myriad subtleties,

 

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask.

 

We smile but O great god, our cries

To thee from tortured souls arise

We sing, but oh the clay is vile

Beneath our feet and long the mile,

But let the world dream otherwise,

We wear the mask!

The poet’s tone is 

  • A. Supplicatory
  • B. defiant
  • C. conciliatory
  • D. compliant
View Answer & Discuss WAEC 2021
228

Read the poem below and answer questions 26 to 30.

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,

This debt we pay to human guile;

With torn and bleeding hearts we smile

And mouths with myriad subtleties,

 

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask.

 

We smile but O great god, our cries

To thee from tortured souls arise

We sing, but oh the clay is vile

Beneath our feet and long the mile,

But let the world dream otherwise,

We wear the mask!

The poem is about 

  • A. debtors
  • B. dreams
  • C. costumes
  • D. appearances
View Answer & Discuss WAEC 2021
229

Read the passage below and answer questions 21 to 25

When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say ‘shhh’ and he would drift to sleep with the heart shape of her face imprinted on his mind.

The main character is

  • A. playful
  • B. inquisitive
  • C. sad
  • D. humorous
View Answer & Discuss WAEC 2021
230

Read the passage below and answer questions 21 to 25

When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say ‘shhh’ and he would drift to sleep with the heart shape of her face imprinted on his mind.

. ..and he had rushed at them, scattering them as some strieked and some laughed illustrates

  • A. onomatopoeia
  • B. climax
  • C. metaphor
  • D. metonymy
View Answer & Discuss WAEC 2021
231

Read the passage below and answer questions 21 to 25

When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say ‘shhh’ and he would drift to sleep with the heart shape of her face imprinted on his mind.

The dominant literary device in the passage is

  • A. personification
  • B. antithesis
  • C. litotes
  • D. parallelism
View Answer & Discuss WAEC 2021