Literature in English JAMB, WAEC, NECO AND NABTEB Official Past Questions

148

UNSEEN PROSE AND POETRY
Read the passage below and answer the following questions:
Along marched the crowd, determined not to be distracted from its cause and the course it had charted. If anyone could intimidate the chief, it was Sasu, who led the crowd. The chief nurtured unruffled restraint. He knew Sasu, knew that Sasu would not waste the trust between them on renegades.
One way to divert a mob from its goal is to join in with it, lead it on, but, finally, veer it from the course of its cause. Onward, towards the chief’s palace marched the crowd, singing war songs.
The sun frowned as the palace guards, rattling like leaves in a storm – fear branded on their faces, came out to survey the threatening crowd and prepare for a siege. Just then, Sasu turned about, heading away from the palace – with the crowd, and the war songs.
 

The last paragraph illustrates

  • A. anti-climax
  • B. rising action
  • C. suspense
  • D. foreshadow
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149

UNSEEN PROSE AND POETRY
Read the passage below and answer the following questions:
Along marched the crowd, determined not to be distracted from its cause and the course it had charted. If anyone could intimidate the chief, it was Sasu, who led the crowd. The chief nurtured unruffled restraint. He knew Sasu, knew that Sasu would not waste the trust between them on renegades.
One way to divert a mob from its goal is to join in with it, lead it on, but, finally, veer it from the course of its cause. Onward, towards the chief’s palace marched the crowd, singing war songs.
The sun frowned as the palace guards, rattling like leaves in a storm – fear branded on their faces, came out to survey the threatening crowd and prepare for a siege. Just then, Sasu turned about, heading away from the palace – with the crowd, and the war songs.
 

rattling like leaves in a storm, fear branded on their faces illustrates

  • A. personification and simile
  • B. personification and metaphor
  • C. simile and metaphor
  • D. assonance and simile
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150

UNSEEN PROSE AND POETRY
Read the passage below and answer the following questions:
Along marched the crowd, determined not to be distracted from its cause and the course it had charted. If anyone could intimidate the chief, it was Sasu, who led the crowd. The chief nurtured unruffled restraint. He knew Sasu, knew that Sasu would not waste the trust between them on renegades.
One way to divert a mob from its goal is to join in with it, lead it on, but, finally, veer it from the course of its cause. Onward, towards the chief’s palace marched the crowd, singing war songs.
The sun frowned as the palace guards, rattling like leaves in a storm – fear branded on their faces, came out to survey the threatening crowd and prepare for a siege. Just then, Sasu turned about, heading away from the palace – with the crowd, and the war songs.
 

The attitude of the writer towards Sasu is one of

  • A. surprise
  • B. anger
  • C. approval
  • D. disdain
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151

UNSEEN PROSE AND POETRY
Read the passage below and answer the following questions:
Along marched the crowd, determined not to be distracted from its cause and the course it had charted. If anyone could intimidate the chief, it was Sasu, who led the crowd. The chief nurtured unruffled restraint. He knew Sasu, knew that Sasu would not waste the trust between them on renegades.
One way to divert a mob from its goal is to join in with it, lead it on, but, finally, veer it from the course of its cause. Onward, towards the chief’s palace marched the crowd, singing war songs.
The sun frowned as the palace guards, rattling like leaves in a storm – fear branded on their faces, came out to survey the threatening crowd and prepare for a siege. Just then, Sasu turned about, heading away from the palace – with the crowd, and the war songs.
 

join in with it, lead it on, but, finally,veer it from illustrates

  • A. allusion
  • B. simile
  • C. parallelism
  • D. personification
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152

UNSEEN PROSE AND POETRY
Read the passage below and answer the following questions:
Along marched the crowd, determined not to be distracted from its cause and the course it had charted. If anyone could intimidate the chief, it was Sasu, who led the crowd. The chief nurtured unruffled restraint. He knew Sasu, knew that Sasu would not waste the trust between them on renegades.
One way to divert a mob from its goal is to join in with it, lead it on, but, finally, veer it from the course of its cause. Onward, towards the chief’s palace marched the crowd, singing war songs.
The sun frowned as the palace guards, rattling like leaves in a storm – fear branded on their faces, came out to survey the threatening crowd and prepare for a siege. Just then, Sasu turned about, heading away from the palace – with the crowd, and the war songs.
 

The prevailing atmosphere is
 

  • A. pleasant
  • B. drab
  • C. tense
  • D. serene
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153

Read the poem below and answer the question below:

Miniver Cheevy, child of scorn,

Grew lean while he assailed the seasons

He wept that he was ever born,

And he had reasons.
 

Miniver loved the days of old

When swords were bright and steeds prancing

The vision of a warrior bold

Would set him dancing.
 

The two stanzas are built on

  • A. alternate rhyme
  • B. identical rhymes
  • C. couplets
  • D. run-on lines
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154

Read the poem below and answer the question below:

Miniver Cheevy, child of scorn,

Grew lean while he assailed the seasons

He wept that he was ever born,

And he had reasons.
 

Miniver loved the days of old

When swords were bright and steeds prancing

The vision of a warrior bold

Would set him dancing.
 

In the last stanza, the persona is

  • A. fantasizing
  • B. angry
  • C. malnourished
  • D. pretending
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155

Read the poem below and answer the question below:

Miniver Cheevy, child of scorn,

Grew lean while he assailed the seasons

He wept that he was ever born,

And he had reasons.
 

Miniver loved the days of old

When swords were bright and steeds prancing

The vision of a warrior bold

Would set him dancing.
 

Reading the poem, one notices that the poet is being
 

  • A. hyperbolic
  • B. euphemistic
  • C. ironic
  • D. sarcastic
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156

Read the poem below and answer the question below:

Miniver Cheevy, child of scorn,

Grew lean while he assailed the seasons

He wept that he was ever born,

And he had reasons.
 

Miniver loved the days of old

When swords were bright and steeds prancing

The vision of a warrior bold

Would set him dancing.
 

The metrical structure is predominantly

  • A. trochaic
  • B. dactyllic
  • C. iambic
  • D. spondaic
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157

Read the poem below and answer the question below:

Miniver Cheevy, child of scorn,

Grew lean while he assailed the seasons

He wept that he was ever born,

And he had reasons.
 

Miniver loved the days of old

When swords were bright and steeds prancing

The vision of a warrior bold

Would set him dancing.
 

child of scorn illustrates

  • A. euphemism
  • B. contrast
  • C. metaphor
  • D. metonymy
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158

The third stanza of the Shakespearean sonnet is

  • A. couplet
  • B. sextet
  • C. octave
  • D. quatrain
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159

A dead metaphor is

  • A. overused and ineffective
  • B. implied and not funny
  • C. implied and underused
  • D. overused and funny
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160

The moon looked on the massacre in horror ! illustrates

  • A. pathetic fallacy
  • B. prologue
  • C. epilogue
  • D. transferred epithet
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161
From the novel; Wuthering Heights

This question is based on WUTHERING HEIGHT.
What destination does the young Catherine have in mind when she leaves Thrushcross Grange for the first time?

  • A. Wuthering Heights
  • B. The nearby village
  • C. The fairy caves at Penistone Crags
  • D. London, where her cousin Linton lives
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162
From the novel; The Lion and the Jewel

This question is based on THE LION AND THE JEWEL.
Which character may be an allegory of Nigeria itself?

  • A. Baroka
  • B. Sadiku
  • C. lakunle
  • D. Sidi
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163
From the novel; Wuthering Heights

This question is based on WUTHERING HEIGHT.
Which of the following characters dies last?

  • A. Catherine
  • B. Heathcliff
  • C. Linton
  • D. Mr. Linton
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164
From the novel; The Lion and the Jewel

This question is based on THE LION AND THE JEWEL.
The opening act in the plays takes place at______
 

  • A. the village market
  • B. the roadside to the farm
  • C. the baale's room
  • D. by the village stream
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165
From the novel; Second Class Citizen

This question is based on SECOND CLASS CITIZEN.
Who is Mr Cole?

  • A. a black tenant at the first apartment at England
  • B. Adah's colleague at the Consulate
  • C. Adah's nephew she's forced to live with after Pa's death
  • D. Adah's elementary school teacher
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166
From the novel; Wuthering Heights

This question is based on WUTHERING HEIGHT.
What gift did Mr. Earnshaw promise to bring Nelly Dean from Liverpool?

  • A. A bridle for her horse
  • B. A fiddle
  • C. Fruit
  • D. A set of paints
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167
From the novel; Unexpected Joy at Dawn

PROSE: AFRICAN: UNEXPECTED JOY AT DAWN

What distinguishes Nii Tackie from every other Ghanaian?

  • A. His accent
  • B. His face
  • C. His tribal mark
  • D. His skin
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168
From the novel; Look Back in Anger

This question is based on LOOK BACK IN ANGER.
Who was the first-person Alison informed about her pregnancy?
 

  • A. her parents
  • B. Jimmy
  • C. Helena
  • D. Cliff
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